From how to install acoustic sound panels to what to look for when buying your first drum set, Audimute Acoustic Specialists answer it all. With the holidays around the corner, our specialists created a buyer’s guide for beginner drum sets to make shopping for your new drummer a little easier.

Buying Your First Drum Set

When purchasing a new “beginner kit,” it’s important to understand it is unlikely to hold up throughout the rigors of new students who isn’t not well-versed in the “do’s and don’ts” of how to handle a kit yet. Ultimately, if this kit is ruined, the value of the instrument and its ability to function is ruined also.

Beginner kit resale value is important because your young drummer will either:

• graduate to a more sophisticated instrument

• lose interest in playing altogether

Either way, what to look for when buying your first drum set is a beginner kit that will net you an 80 to 100% return on investment, which isn’t an unreasonable goal if you’ve done you’re research and shopped smart. A good approach is to figure out just what you’re willing to shell out and look at the used market based on that figure.

Used Kit Shopping Guidelines:

Manufacturer: No buyer’s guide for beginner drum sets would be complete without mentioning the top drum brands. There are a lot of good companies out there making decent entry level stuff that sounds good, holds up well, & holds resale value (specifically, Pearl, Yamaha, Mapex, and Tampa). With any manufacture, make sure all drums have top and bottom heads – this is everything to do with sound quality and resale value.

Size: You want to make sure that the bass drum & toms can be of a size that will most comfortably fit your drummer. Really young – or height & reach-challenged students – will require smaller diameters & depths (mounted toms) to ensure the best practice & eliminate a lot of frustration.

 • Average sets found on display at your local stores will be;

Bass drums: 20” to 22”

Mounted toms from 10” to 13”, & depths from 8” to 11” or even 12”

When talking about size, what to look for when buying your first drum set is your child’s physical ability to “get around” it. This includes seat height, which may present a challenge depending upon how adjustable the drum throne is. This is where it all begins, so a wobbly, unstable seat will really mess up your student’s balance and control.

If your child is 4’ tall or under, make sure that when they sit, the upper legs are just above a 90% angle, with their feet solidly on the floor. This is when the real measuring begins. Next, and only after seating has been established, look at reach. Your student’s arm length should never have to be fully extended to reach any part of the set. They should be able to reach the furthest object (cymbal, tom, etc.) and easily get back to a position of (roughly) a 90% angle from the forearms being vertical with the upper body.

Sometimes it’s even advisable to consider “holding off” adding toms over the bass drum, which is where they’re usually positioned. Either have the means to offset the toms, via floor stand, or (in extreme circumstances) consider not adding any mounted toms for the time being. No kid wants to hear that, but a functional core set up is important enough that waiting a little while to grow into it is a better than getting their technique screwed up because they had to “adjust” themselves to an uncomfortable, unnatural posture to accommodate the other stuff.

Hardware: What to look for when buying your first drum set is five key stands and mounts properly hold a drum set together.

• Hi Hat Stand: No compromises here, your stand needs to be sturdy. It takes a lot of abuse, just by its nature, and a cheap, too light-weight, off-brand model will breakdown & a waste of money. If the Hi Hat stand doesn’t seem right, opt to exclude it from the total purchase or negotiate a price that will give you some head room to purchase a replacement, soon than later. Again, resale value will hold up better.

• Bass drum foot pedal: Shopping for this is similar to shopping for your Hi Hat stand. Your student will need something sturdy that can take a hit. If your kit doesn’t come with a strong enough foot pedal, be sure to find one as soon as possible, as learning on a weak one does neither your practice nor your drum any favors.

• Snare stand: Here you can get away with something less substantial. The drum sits on it – and unless it is subjected to brutal, foolish use, a light weight stand should suffice. As long as it’s in good, functional condition, you can save a few bucks here.

• Cymbal stands: Two stands are a very good start; one for the bigger ride cymbal and one for a smaller crash cymbal. Again, these don’t have to be heavy duty, but avoid off- brand pieces or any stands that appear unstable.

A good way to start is by setting one stand up in what is called a boom stand function. This is where the top tier of the stand has an attachment that allows the “arm” (where the cymbal mounts) to be able to “boom” over to a more comfortable position to play. The second stand certainly can benefit from this design, but generally isn’t as necessary, so what is called a straight stand is okay, and again potentially lowers the cost.

• Tom mounts: These hold the toms in place, either directly affixed to the top of the bass drum or on a separate stand. Your tom mounts should be reasonably heavy duty and adjustable for different position options. You can retrofit this item, sometimes very easily, or you may have to do some modifications.

Knowing what to look for when buying your first drum set ensures your student starts on the right track. Follow our buyer’s guide for beginner drum sets for the best equipment then check out some absorption sheets to soundproof your new practice space. We're happy to answer any of your acoustic questions - fill out a free room analysis form or call an Acoustic Specialist at (866) 505-MUTE for personalized advice about your practice space.

Are you ready to improve the acoustics of your home theater? We receive countless inquiries about home theater treatment each day, and the most commonly asked question is where acoustic panels should be applied to most effectively improve the sound quality in the theater. Today, I am going to take you step-by-step on finding reflection points and how you can use this as a guide for perfect panel placement.

First, we need to discuss what reflection points are. The primary reflection points are the points throughout your theater at which sound is initially reflecting. In other words, it’s the first surface that sound comes in contact with after leaving your speakers. Primary reflection points are important to find as these are the most effective treatment points throughout your home theater.

Now picture this: you just finished your home theater set up! You spent hours shopping for the right speakers, the most comfortable couch, and the best screen or projector. You throw in your favorite movie and notice something: you forgot to take the room acoustics into consideration! Fear not! That echo you’re noticing can be treated by adding acoustic panels to your theater!

To find the reflection points, you will need the following:

      • A home theater

      • A handheld mirror

      • Sticky notes

      • A patient friend

1. First, set up the room as if it were finished. Speakers and seating in your space should be placed in their final

locations. Moving any of these elements will change the primary reflection points of sound throughout your space.

I recommend leaving the walls mostly bare (aside from any speakers). This will make the process of marking and finding reflection points much easier.

Once the walls are bare and the speakers are in their final position, it’s time to start listening. Carefully examine where the sound is coming from in the theater.

2. Second, have your friend hold the handheld mirror parallel to the wall surface. Face the screen in your theater, and move the mirror around the walls until you can see any speakers reflected in the mirror. Be sure not to move your head or tilt the mirror throughout this process, as this will alter the reflection points. Mark these points with a sticky note. These are the primary reflection points.

Each speaker in your space should have 6 reflection points (one on each of 4 walls, one on the ceiling, and one on the floor). For a 5-speaker system, there should be 30 reflection points. Some of these points may not be treatable. This would include points that are blocked by open hallways, furniture, or other objects. This is not an issue. While treating primary reflection points is important, treating every reflection point is not necessary to improve the sound quality in your theater.

3. Once you have the reflection points marked, you can begin adding absorption.                 

For reflection points on the floor, consider adding a rug. If the theater is carpeted, treating the floor should not be necessary. For any windows, consider adding curtains or drapes.

To treat any reflection points on the ceiling, consider flush-mounting Acoustic Tiles to the ceiling surface, or suspending Acoustic Clouds from the ceiling.

4. Finally, for the reflection points on the walls, consider adding Acoustic Panels. With a variety of sizes, colors, and styles to choose from, Audimute Acoustic Panels are an excellent option to consider for any home theater application.

For more advice on creating the perfect home theater, please don’t hesitate to contact one of our Acoustic Specialists!

November is International Drum Month. That means that now is the perfect time to set up your home drum room! When setting up your drum room, make sure to keep in mind the acoustics of your space. This will help to keep your neighbors (and the cops) away, while also ensuring that the space sounds great. 

Follow these helpful tips to help improve the acoustics of your drum room for yourself and your neighbors.

1) Consider drum kit location

Where you place the kit can have an impact on the sound in your drum room. For the best results, I would recommend placing the kit in the corner of your room, facing out towards the room. Keep the kit away from any shared walls. This will help to push sound into the room, instead of directly at any walls, and will help with the process of enclosing the kit, which brings us to the next tip…

2) Enclose the kit (to the best of your ability)

Enclosing the kit can help to create a barrier around the drums. This will help to weaken the sound before it has a chance to reach the walls of your drum space. This can be accomplished using our Absorption Sheets. Placing Absorption Sheets behind the kit (one on each wall) will reduce the amount of sound reflecting off the walls. Hanging Sheets in front of the kit will help to effectively enclose the kit, creating a “room-within-a-room” with Absorption Sheets.

3) Treat any windows

Windows are a common point if weakness in most structures. Adding mass and density to any windows can help to reduce the amount of sound traveling through them. Creating a plug for the window using a heavy, rigid board is one option to consider. Isole® can be another great option to consider. The Peacemaker® inside of the Isolé is designed to help block the amount of sound capable of escaping through a window.

4) Don’t forget about doors

It’s important to treat any doors to your drum room. Anywhere air can travel, sound can also travel. Because of this, sealing off the door to your room will help to reduce the amount of sound capable of escaping your space. Isolé can also be a great option for door treatment, helping to provide mass and density to the door to your drum room.

Following these tips will help to improve your drum room for yourself, and all those around you. For additional questions on treating a drum room, please feel free to give our Acoustic Specialists a call at (866)505-6883.

What is an acoustical ceiling cloud?

Ceiling clouds are designed to effectively reduce reflected sound in large and open environments as well as to delineate space. Stylish lines and soft shapes suspend horizontally from the ceiling and absorb sound across their entire surface for unequaled acoustical performance.

Ceiling Clouds create a modern appearance combined with noise reduction and reverberation control in most environments including residential and commercial spaces. Along with exceptional sound absorption and superior aesthetics, clouds feature outstanding architectural design flexibility and visual interest.

Are there other ways to perceive space?

Walls are perhaps the easiest and most recognizable architectural elements that define a room. Current design trends are focused on rooms that flow into one another without visual obstacles. Clouds are a subtle yet distinct method of delineating the differences that exist between areas.

How is a ceiling cloud different?

There is an acoustical benefit to exposing the backside of clouds. More air heightens the panel’s ability to capture and convert echo from the open space.

Acoustic clouds are hung parallel and offset from the ceiling allowing them to absorb sound waves at two points. Sound absorption occurs as sound travels toward the ceiling and then again as it bounces back to the floor. This dual-absorption ceiling cloud reduces echo and dampens noise.

Key Features:

     • The perfect soundproofing solution for areas with limited wall space

     • Dual sound absorption

     • Define spaces and accentuate a feature area

     • Mix and match sizes and shapes

     • Custom configurations available

     • Suspend individually or in groups

Acoustic ceiling clouds are the ideal solution for absorbing reflections from ceilings, reducing sound reverberation, and improving speech intelligibility!

“Green” acoustics. How many times have you heard that? If you work at Audimute, you hear it on a daily basis.

So what exactly is it?

We’ve developed a highly effective eco-friendly alternative to acoustic panels. Our line of eco-C-tex® use 1/10 of the energy required to produce fiberglass and 1/4 of the energy used to create acoustic foam panels.

In fact, we love recycling, being eco-friendly and using raw materials that are naturally better for your interior space! It’s our global responsibility. So it’s only fitting that when it comes to our manufacturing process, we choose our textiles carefully and we share a mutual understanding with our vendors. Guilford of Maine, our acoustic fabrics vendor, takes pride in the fact that 53% of their products are made from 100% recycled materials and 86% of their products contain recycled content in some form or another. Read more about how Guilford of Maine recycles plastic bottled into fabrics here!

We use this high-quality, eco-friendly acoustic fabric to cover our top-selling fabric acoustic tiles and panels. Each product is hand assembled by our production team right here in Beachwood, Ohio to ensure we meet & exceed your expectations.

To learn more about our products, contact one of our Acoustic Specialists!

Leaves are turning, fireplaces are burning and squirrels are packing their nuts; it must be Fall, the season of change! Everyone knows that Fall is famous for oversized sweaters, warm colors and let’s be honest, pumpkin spice lattes. But where did these traditions come from? Nature? Pinterest? Food? How about the fashion industry?

We’re giving you an inside look on this season’s hottest fashion colors and how Audimute is styling your space with a twist of color.

From Fashion to Fabrics.

Believe it or not, fashion leads the trends in the season’s and year’s top colors. Whether it’s what color to dye your hair, what flavor of ice cream to order or your color scheme at your wedding – there’s a good chance it was influenced by the fashion industry.

Fashion designers look at the world, observe Mother Nature, get inspired and transform those observations into a new style trend. The world is constantly changing, therefore, the fashion industry is constantly changing.

From Fabrics to Audimute.

Inspired by Fall fashion trends, Audimute is freshening up its own fabric line! Fresh off the runway, we’re integrating four of this season’s hottest colors and five new designer fabrics.

Modernize any space with the crisp color of green apple and refreshing Lapis blue. Soak up the last of summer’s sun with sunshine and indulge in the warmth of pumpkin. Whatever color you fall in love with, it’ll be sure to add a little pop to your life!

Transform your space’s style with Audimute’s new Fall 2016 color line and designer acoustic fabrics. Our fabrics are acoustically transparent, ensuring high acoustic performance and are proudly woven in America from the finest, high quality yar