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The United States of America is celebrating its 250th birthday in 2026, and we thought it'd be fun to commemorate America's semiquincentennial by identifying Audimute acoustic panels (all of which are made in the USA) that remind us of each U.S. state.

First up: Arizona, home to the Grand Canyon, portions of the Sonoran Desert, and sweeping Southwestern landscapes.

For Arizona, we chose an Audimute acoustic panel that evokes the look and feel of the state's rich red clay and striking rock formations: the AcoustiStone® Premium Acoustic Stone Alternative Panel in the "Medium Desert Cliff Rock" style.

It's bold, it's beautiful, it looks like the result of millions of years of geologic activity, and it absorbs an average of 95% of echoes, reverberations, and mid to high frequencies. Best of all: no real rocks were used in the making of this acoustic panel — every AcoustiStone acoustic panel features high-quality graphics printed on fabric and wrapped around our eco-friendly sound absorption material, eco-C-tex®.

Looking for a sound management solution for your home, business, church, or studio? Call us at 1.866.505.MUTE or fill out a Room Analysis Form to get free advice from our Acoustic Specialists!

In the acoustics industry, the terms "panel" and "tile" are often used interchangeably to describe the same basic concept: a sound-absorbing quadrilateral of varying sizes and thicknesses that is mounted or installed within a space to reduce echoes and improve sound clarity.

At Audimute, both our acoustic panels and acoustic tiles are made with eco-C-tex®, our signature "green" sound absorption material comprised of recycled cotton and cellulose fibers. But there are also some key areas where our "panels" and "tiles" for wall applications differ from each other. (NOTE: The following distinctions do not apply to our AcoustiColor® Direct Mount Ceiling Tiles; read more on those here).

1. The Sides of the Panel / Tile

It's a subtle distinction but an important one. Our acoustic panels, from Fabric to AcoustiColor® to AcoustiWood® to AcoustiStone®, are fabric-wrapped (or, in the case of AcoustiColor, coated) on the face of the panel and then around the edges. Our acoustic tiles, on the other hand, have exposed eco-C-tex on the sides; only the face of the tile has been treated with the cover material of your choosing.

Here's some examples: this is a stack of our AcoustiColor panels. You can see that both the face of the panel and the sides have been coated. 

Now here's an AcoustiColor tile. Notice that the face has been coated in Sherwin-Williams paint, but the sides are still uncoated eco-C-tex.

2. Thickness / NRC

The thickness of an acoustic panel or tile directly corresponds to its sound-absorbing effectiveness. We measure sound absorption in NRC, or noise reduction coefficient. NRC ratings range from 0 to 1. An NRC of 0 means the product absorbs no sound, while an NRC of 1 means that the product absorbs all sound. The higher the NRC, the better the product is at soaking up sound.

Audimute's Acoustic Panels have thicknesses of 1.5" and NRC ratings of .95, meaning each panel will absorb an average of 95% of echoes, reverberations, and mid to high frequencies that it comes into contact with. Our Acoustic Tiles, on the other hand, are 1" thick and, depending on the cover material, have NRC ratings in the 0.70 to 0.75 range.

3. What You Get Per Order

Our acoustic panels are purchased and shipped as individual units, whereas our tiles are packaged together in different configurations (ranging from four 24" by 24" tiles to 48 4" x 12" tiles) totaling 16 square feet of material. Check the product pages for more information.

Whether you opt for acoustic panels or tiles from Audimute, you'll be getting high-performance sound absorption made with eco-friendly material. It all comes down to your preferences and what you need to allow you to use your space the way it was intended.

Want more information? Reach out to our Acoustic Specialists for a free acoustic consultation by calling 1.866.505.MUTE or filling out a Room Analysis Form.

125 years ago today, Symphony Hall opened in Boston...and the world of acoustics was forever changed.

Designed by the architectural firm of McKim, Mead & White (the same firm behind Penn Station in New York and the 1902 renovations on the White House in Washington, D.C.), Symphony Hall was commissioned as a new permanent home for the Boston Symphony Orchestra. Recognizing that the sound quality within the hall needed to be as world-class as the orchestra performing in it, McKim, Mead & White brought in a young Harvard physics professor as acoustical consultant: Wallace Clement Sabine.

Then in his early 30s, Sabine had recently made a name for himself fixing the bad acoustics of Harvard's echo-laden Fogg Lecture Hall. The process had been one of trial and error: on almost-nightly visits over several years, Sabine used organ pipes and a stopwatch to calculate the reverberation time within the auditorium when different sound-absorbing elements such as cushions and rugs were introduced to the space. His experiments (and subsequent development of what is now known as the Sabine formula for determining reverberation time) established the field of architectural acoustics.

As acoustical consultant for Symphony Hall, Sabine aimed for a reverberation time of 2.0 seconds when the hall was full, finding that to be the right acoustic balance between "too dry" and "too muddy." To achieve this, he, among other things, proposed a "shoebox" shape for the venue to help evenly distribute sound reflections around the space and also incorporated the usage of statues and balconies to help break up sound waves.

Upon its inaugural concert on October 15, 1900, the 2,600-seat Symphony Hall was immediately praised for its incredible sound quality, with one local newspaper declaring: "Acoustic Excellence Achieved". Sabine received his fair share of attention and credit, but one thing he did not receive was money: he had refused payment for his work.

Today, Boston's Symphony Hall and the work of Wallace Clement Sabine stand as a testament to how great acoustics enhance the musical experience for both performer and audience.

Now if only we could have heard Sabine's work on a drum room...

Good acoustics in the office are no longer optional; in today's world of real-time collaboration, high-tech video conferencing, and fast-paced work environments, they are a necessity.

Every Audimute sound solution will make a big impact on improving acoustics in the office; in most cases, the decision on which one to choose is an aesthetic or logistical one.

Here's some of our favorite sound-absorbing solutions for different sections of the workplace:

CONFERENCE ROOMS

Zoom calls, video conferences, other forms of remote meetings: these new frontiers in business communication can suffer greatly when bad acoustics are in play. Too much echo or reverberation within a conference room can compromise the audio quality and make it difficult for the party on the other line -- whether it's a client or a co-worker -- to clearly hear what's being shared.

Fabric Acoustic Panels are an excellent way to treat sound in these high-traffic spaces, but we also love more design-driven options that keep your branding visible during Zoom calls and video chats.

Our Custom Image Acoustic Panels can be printed with pictures of your choosing: for instance, your company's logo, or an archival image from the company's history, or a top-selling product.

We also recommend our AcoustiColor® Acoustic Shapes to create dazzling geometric patterns on your walls.

SALES FLOOR / CALL CENTER

Do you have an open space or bullpen where sales reps or customer service specialists spend the day on the phone? Then you're no stranger to the chaotic noise that can arise from that area without proper acoustic treatment. As with conference rooms, AcoustiColor, Fabric, and Image Acoustic Panels are excellent options, but if you have limited wall space or want an acoustic solution that's out of sight and out of mind, we recommend a ceiling acoustic application.

Direct Mount Ceiling Tiles can be flush-mounted directly to ceilings and coated to blend in with the surroundings, but if you're looking for something more eye-catching, our Clouds and Baffles are available in multiple styles, including Image, AcoustiColor, and AcoustiWood (our product line designed to resemble real wood).

Different shapes are available, too - opt for one of our Accent Acoustic Ceiling Clouds or Baffles if you want an exciting piece of geometric art that also just happens to improve sound clarity.

INDIVIDUAL OFFICE SPACE

For individual offices where singular employees or specialized teams work, consider customizable acoustic solutions like our Image Panels. You can order from our library of stock images in different categories (such as nature, sports, or landmarks) or opt for a personalized acoustic treatment by uploading your own imagery. Again, logos or company photos are great here.

If you want something more traditional, we recommend our Acoustic Panels Kits, comprised of different styles, looks, colors, and shapes.

LOBBIES & WAITING ROOMS

Your lobby or waiting room is often the first impression you are giving to clients. Why not make it look and sound great? Go for a sound solution that reflects the rest of your lobby's decor. AcoustiStone® acoustic panels and tiles blend in very well with marble features (and are much easier to lift), while our AcoustiColor products are an excellent cost-effective option if you're looking for lots of coverage.

Every workplace and its needs (be they acoustic, aesthetic, or budgetary) are different, so be sure you're choosing the right sound solution for you, your employees, and your clients. And if you want free assistance in solving your sound problem, contact our Acoustic Specialists at 1.866.505.MUTE or by filling out this form.

"What does success sound like to you?"

That's the first question Audimute wants to answer whenever we take on a new project for a client. Whether it's acoustic panels for walls, acoustic tiles for ceilings, soundproofing solutions, sound masking services, or a custom sound management solution combining a little bit of everything, we want to make sure the end result is reflective of your goals for the room, studio, or space in question.

To guide us on this journey, we follow a project methodology we call PISO.

Problem
Integration
Solution
Outcome

Every project is different, of course, with its own expectations, sound challenges, and design ambitions. But by following PISO, Audimute and its team of acoustic specialists ensures that the outcome is always the same: a beautiful sound solution that lets you use your space the way it was initially intended.

For more information on PISO, check out this page.

Podcasts aren't just for influencers, journalists, and comedians anymore; they're now part of the k-12 education system, with many high schools and middle schools now offering podcasting as part of the media studies curriculum, as an extracurricular activity, or as a tool for class projects.

Here's some tips to make sure your school's podcast studio has great sound:

1. Find the Right Room

Larger rooms (like auditoriums, cafeterias, or gymnasiums) tend to be more reflective of sound waves. That means echoes and reverberations that are difficult to control. Try to find a smaller room with low ceilings instead.

Ideally, you'll also use a room that is situated away from intrusive noises. For instance, a room or office attached to the library will likely have less outside noise to contend with than a room attached to a main hallway or gathering space, like a cafeteria or common area. Be mindful of HVAC systems, too - air conditioners and heaters can add high-pitched frequencies that microphones often capture.

2. Add Sound Absorption

Once you've found the right location for your studio or podcast room, review the space for hard surfaces. Glass, concrete, drywall - these surfaces reflect sound waves around the space, creating echoes and reverberations that will muddy your podcast's sound quality.

If your podcast studio is susceptible to such echoes and reverberations, add porous materials such as carpets, upholstered furniture, and curtains to absorb those sound waves.

Want to take your sound solution to the next level? Acoustic panels are specifically engineered to absorb sound within a space to reduce noise and improve sound clarity. Each Audimute acoustic panel is made with our eco-C-tex® sound absorption material; it's eco-friendly and lab-proven to absorb an average of 95% of echoes, reverberations, and mid to high frequencies. Fabric Acoustic Panels are durable and cleanable, while our Custom Image Acoustic Panels can be printed with your school's logo, its mascot, or your podcast's name to add that extra touch of school spirit (and branding!).

3. Use the Right Microphones

Unidirectional microphones, or microphones that capture sound from the direction they're facing, are generally better for podcasts than omnidirectional mics, which capture sound, including background noise, from throughout the space. Of course, in a room that has been properly treated for acoustical quality, background noise and echo is less of an issue; that said, if you're just trying to capture the voices of those speaking, unidirectional is still the way to go.

4. Use Headphones

Wearing headphones while recording your podcast is a great way to keep track of your audio quality in real time. Is your volume too low? Are you too close to the mic? Is there a glitch somewhere disrupting the sound quality? By wearing headphones during the recording of the podcast, you can identify and resolve issues in the moment instead of trying to fix them in post-production. Headphones also cut down on echo from any speakers within the room playing back audio during the recording.


Ensure your podcast studio is set up for acoustic success so students can instead focus on producing great content! And if you need free advice on how to set up your studio, contact an Audimute Acoustic Specialist at 1.866.505.MUTE or contact us here.

Many of the great cathedrals and temples of the world were built with acoustics in mind. Vaulted ceilings, towering walls, and hard surfaces of stone, marble, and glass weren't just awe-inspiring visual elements; they also reflected sound to allow sermons, chants, and songs to resonate around the space so all in attendance could hear them.

Nowadays, the acoustic challenges in houses of worship are more about sound clarity instead of volume. The very echoes that once elevated Gregorian chants now clash with modern amplification and sound systems, burying live music and voice under reverberations.

Added to that is the rise in adaptive reuse for modern houses of worship: many congregations are now meeting in former retail or commercial spaces that weren't originally built with acoustics in mind.

Here are some tips to make sure you're getting the best sound possible in your house of worship:

1. Pay Attention to Speaker Placement

In many modern church services, more traditional elements like choirs and church organs are now sharing the stage (literally, in some cases) with rock-influenced instrumentation and vocals. Production-wise, it frequently feels more like a pop concert, and the sound must be managed as such.

It's not enough to have top-of-the-line speakers to amplify song and speech: the speakers themselves must be positioned correctly for an optimal listening experience. Speakers positioned too close to walls or corners can reflect off those surfaces to create muddy sound, while speakers not strategically angled toward the congregation can result in dead zones where the sound is not being clearly heard.

If possible, set up your sound amplification system so speakers are even with the ear level of the seated attendees. Also consider placing additional speakers towards the rear of the room so those in the back rows don't miss out.

2. Install Sound-Absorbing Acoustic Panels

The large walls and high ceilings of a sanctuary or auditorium can easily result in sound waves reflecting off those surfaces to create echoes and reverb. Acoustic panels can be installed along the side walls and back wall of these spaces to absorb these echoes and reverberations to improve sound clarity.

Fabric Acoustic Panels are especially excellent due to their durability (they can also be cleaned or vacuumed to remove dust and soil buildup). If you're looking for acoustic panels that blend in with the interior of your auditorium, our AcoustiColor® acoustic panels can be coated to match any paint color from Sherwin-Williams. Direct mount acoustic ceiling tiles and panels can also be affixed for sound absorption from above that doesn't disrupt any sightlines. And custom image acoustic panels can be specially printed with religious iconography or inspirational phrases.

3. Incorporate Other Sound-Absorbing Furnishings

Acoustic panels aren't the only things that can absorb sound! Anything that's thick and porous can trap sound waves. The addition of carpeting, curtains, or upholstered seating will help soak up echoes and reverb.

Houses of worship are an essential part of our communities, and they deserve the best acoustics so those in attendance can feel the faith and fellowship without compromised sound quality. 

If your house of worship is in need of acoustic help, contact us at 1.866.505.MUTE or complete this form for a free Audimute acoustic consultation!

You don't have to sacrifice style when it comes to sound management. That's why we wrap our Fabric Acoustic Panels in stunning, high-quality Anchorage, FR701, and Synopsis fabric from Guilford of Maine. And it's not just what's on the outside that counts: each panel, made with our eco-C-tex® sound absorption material, has an NRC of .95, meaning it absorbs 95% of echoes, reverberations, and mid to high frequencies it comes into contact with.

Looking for design inspiration for your sound solution? Here's some of our favorite Fabric Acoustic Panels inspired by October:

Fabric Acoustic Panels - Anchorage - Pumpkin

October means Halloween, and Halloween means pumpkins. Our Fabric Acoustic Panel wrapped in Pumpkin Anchorage fabric brings together orange and brown to create a panel that evokes autumn leaves, harvest moons, and jack o' lanterns. It's an excellent acoustic addition to spaces with cooler shades and neutral colors.

Fabric Acoustic Panels - Anchorage - Onyx

Our Onyx Anchorage Fabric Acoustic Panel is deep, rich, and versatile: it can blend in with dark spaces or stand out when paired with lighter colors. It's perfect year-round, but we're loving it this October because it reminds us of Halloween nights and jack o' lantern smiles.

Fabric Acoustic Panels - FR701 - Opal

Opal is October's birthstone, and our Fabric Acoustic Panel of the same name showcases a similarly elusive "play-of-color" appearance. At first glance, it seems to be a simple creamy white, but upon closer inspection, there is an almost-shimmering quality to the textile, as if blues and greens and silvers were just beneath the surface. It will make any space look and sound better.

When it comes to blocking sound, mass is everything. That's why concrete and brick are so good at soundproofing. But there are also sound-blocking materials that can be added to existing walls, floors, and structures to limit sound transmission. Mass Loaded Vinyl, or MLV, is a popular sound barrier material across the sound management industry. Peacemaker® is Audimute's greener take on traditional MLV.

What is Mass Loaded Vinyl?

Mass Loaded Vinyl is a thin sheet of vinyl with tiny chemical compounds added to increase mass, and, therefore, increase sound-blocking properties.

What is Peacemaker?

Peacemaker is Audimute's eco-friendlier alternative to MLV. It is constructed with 90% post-consumer material, including recycled tire rubber, while also being flexible and durable. 

We offer two different thicknesses of Peacemaker:

Our 6mm Peacemaker Soundproofing Underlayment is intended for installation beneath a finished flooring, where it can significantly reduce the amount of vibration and impact noise. Think of it as a shock absorber.

Our 3mm Peacemaker Sound Barrier can be installed between walls, ceilings, and floors to significantly reduce airborne sound transmission. It's denser than the 6mm Peacemaker, which means it's more effective at blocking airborne sound.

How Does Peacemaker Compare to MLV in Effectiveness?

Sound Transmission Class, or STC, measures the ability of a material to block sound. The higher the STC rating, the better the sound-blocking. So, if the STC rating is 25, very little sound is getting blocked. At STC ratings of 45 and above, sound transmission is significantly reduced.

It can be difficult to compare the STC of both materials because different weights and thicknesses, as well as different applications (drywall, etc.), will result in different soundproofing effectiveness. That said, our Peacemaker Soundproofing Underlayment - 6 mm was tested over a 6" concrete slab with Click-Lock LVT flooring, resulting in a STC Rating of 50 and an IIC (or Impact Insulation Class) Rating of 57. Different MLV applications will result in different STC ratings, but we have found that Peacemaker is comparable in effectiveness.

How Do I Install Peacemaker?

Peacemaker typically requires new construction for installation, whether in floors and walls. Click those links to read more about the actual installation steps. In both instances, however, seam sealing tape or acoustical sealant should be used to limit places where sound can get through.

A quieter life at home or at work without excessive sound transmission is a goal for many of us. And whether you opt for Peacemaker or another material on the market for your soundproofing needs, be sure to exercise safety and caution during installation. If you have any questions about Peacemaker or top soundproofing practices, please call us at 1.866.505.MUTE!

At Audimute, we take a holistic approach to our eco-friendly sound solutions: it's not enough for our sound absorption and soundproofing products to make your room sound better; we want them to look great, too, and to allow you to use your space the way it was intended.

Sometimes that solution is accomplished with something as simple as a few 2' x 3' Fabric Acoustic Panels that we send to you for installation on a wall using our Hang Tabs.

Sometimes that solution calls for a custom image acoustic panel or AcoustiColor® Acoustic Shapes coated in your choice of color from Sherwin-Williams. Sometimes it calls for a ceiling cloud or baffle.

And sometimes more is needed.

That's where Audimute Design Services (and our other add-on offerings) come in!

Read more about Audimute's design and custom engineering services.